— “Shastras say, TOW
. ' so. i >rm, t ] J.o m «tft *hfartfcj The attempt is t i)^tir “faitC frofetnra
- t<fjtw ^f?rf?*twr cTO
^.jVf^^nc^Tir* ssfircl i
- tta
,— '
- yn fa «
«ra? jn$t aTlCTfa
- R*rat,
>iWfi —^ i ^Wb^jr, « *rt* i • (*fa 's,, ®i?[?i 'Swaik swj «rft*tnra CTt?tJ I «lfta* «R"t «flfesw. t
- tl
fHf%»T53ff c^tCT? *jaj i
- fl*TfTOtH,
§1IJP ’stf^g-'Kw *fatc*nr TOi ntfertfe- tot ftf* fast* fa <r*i fa <«* ^rctc** ^c*f5 ^fai. oif®
- firrs *itfiitfR
i S'Mfap , « ^sw i ^rfrai '*rKl ^fir, efonus »sit ^.‘‘fatff*" ^ffe^fcwf-ftwtii
- f*ni
i
- t,W-«M5Pn»
StW, Maya ftfiPf has ’Tff, two fit** phases, — one is
ignorance, offspring of the other knowledge, from self- abnegation. Trisha or lust, removed by knowledge as a pierced thorn IS Ignorance is removed by another. Freedom from knowledge and __ Ignorance by relinquishing both to perfect Bliss or NiToaiT. To delineate this purport of the Shastras by tha musical representation of tale, .my .attempt the audience will decide.*' fall success* of fa tf*lC5 TOT, JINI CW1 ^