the premises of the Seminary, .Where they acted the plays of “Othelo” “Merchant of Venice” &c &c. It was'Babu (since Maharaja Sip) ' Jotindramohan Tagore, who first 'Of all i C . suggested to them that they it c should introduce • Native dramatic representations and
organise a native orchestra <n the basis of dur native instruments. Acting upon this hint they produced the sensational pity of "Kulin Kul Sarvasva” and . then the theatre abruptly became'defunct in 1856.”
i . « «rt£J »2| “wwfc* ( Hamlet ) ?Ttfo ’TOR I
- ^’1 «
JTfflil af<5t*rear *q;jprti <2|f*ra ufaira $t*R«t«rta[ jrs? « I C*Ntel SttCT foft* JJttM ’TtfMTl «OT? «lt^I f«®R M, ««%tfTOR ^ 'B SefTfa *f**t- ^C?t% tflll ” t “But.Keshab was content not only to read, but wanted to act, a. desire in which w^ all warmly seconded him. We wer^also supported by our »c • elder' relatives.
- So a stage was
+ improvised, cast-away European clothes were ppeedily pro- «. ,«
. C * Baba Gourdas Basak’S letter published in the life ef Michael. Ijjtodhusudan Dutta,* _ ' t . cm*cm >rcfop dhtfl, tty\ i
